A viewing room
prepared for Beth

Hayley Barker (b. 1973, Oregon) has had solo exhibitions at Ingleby Gallery, Edinburgh, Scotland; Night Gallery, Los Angeles, CA; SHRINE, New York, NY; and BozoMag, Los Angeles, CA. She has participated in group shows at Acquavella, New York, NY; Harper's, East Hampton, NY; Nicodim, Los Angeles, CA; Night Gallery, Los Angeles, CA; and SHRINE, New York, NY among others. Barker has been featured in several publications, including Artforum, Artillery Magazine, BOMB Magazine, Forbes, Hyperallergic, Juxtapoz, LA Weekly, and W Magazine. Her work belongs in the collections of the Brooklyn Museum, Brooklyn, NY; the Columbus Museum of Art, Columbus, OH; Institute of Contemporary Art Miami, Miami, FL; Oregon State University, Corvallis, OR; the University of Iowa Stanley Museum of Art, Iowa City, IA; and the Yageo Foundation, Taiwan. Barker lives and works in Los Angeles.

Mira Dancy (b. 1979) received her MFA in painting from Columbia University and has had solo exhibitions at Night Gallery, Los Angeles; Chapter NY, New York; Dia Horia, Athens, GR; Yuz Museum, Shanghai; Galerie Hussenot, Paris; Lumber Room, Portland; and JOAN, Los Angeles among others. Her work is included in the permanent collections of Los Angeles County Museum of Art, Los Angeles; Whitney Museum of American Art, New York; Columbus Museum of Art, OH; and Yuz Foundation, Shanghai. In 2015, Dancy's work was included in Greater New York at MoMA PS1. She has been covered in the New York Times, Art in America, Artforum, Vogue, The Financial Times, Kaleidoscope, and ArtNews, among other publications. Dancy lives and works in Los Angeles.

Sterling Wells (b. New York, NY) has had solo exhibitions at Night Gallery, Los Angeles; LAMOA at Commonwealth & Council, Los Angeles, CA; Vernon Gardens, Vernon, CA; Metropolitan Structures, Baltimore, MD; and Lana's, Brooklyn, NY, among others. His work has been included in group exhibitions at Benton Museum of Art, Claremont, CA; MOCA Tucson, Tucson, AZ; the Perth Institute of Contemporary Art, Perth, Western Australia; Tyler Park Presents, Los Angeles, CA; Harkawik, Los Angeles, CA; among others. His work is included in the permanent collection at the Museum of Fine Art, St. Petersburg, FLA; The University Hospital, San Antonio, TX; and New York Presbyterian Hospital, New York, NY. Wells has been featured in Frieze, Artnet, Southwest Contemporary, Hyperallergic, Artillery, i-D, and BLOUIN ArtInfo among others. He attended the Skowhegan School of Painting and Sculpture in 2018 and was a recipient of a 2019 Rema Hort Mann Foundation Emerging Artist Grant. Wells now lives and works in Los Angeles.

Marisa Adesman's compositions are an exquisite performance of dramatic tension: stillness under pressure, the moment before escape, the suspenseful beat before a trick is resolved. She mingles ethereal and phantasmagoric imagery of the surrealist period with Dutch still life and vanitas paintings from 16th and 17th century Europe. Likewise, she retains all the attendant technical mastery which defined those artistic styles.

Smooth and luminous, built through hundreds of layers of glazing, Adesman achieves a silky surface. Her obsessive technique captures hyperreal droplets of blood, stained glass, delicate petals, ripe fruit, and soft flesh with meticulous focus. Adesman's paintings transform domestic spaces into a stage for private disobedience, erotic tension, and emotional precision.

Marisa Adesman (b. 1991, Roslyn, NY) received her MFA from the Rhode Island School of Design, Providence, RI and her BFA from Washington University, St. Louis, MO. In 2023, the KMAC Contemporary Art Museum, Louisville, KY debuted her first museum exhibition. Adesman has exhibited widely, including at the Contemporary Art Museum (CAM), St. Louis, MO; Black Mountain College Museum, Asheville, NC; Mead Art Museum, Amherst College, Amherst, MA; and Anat Ebgi, Los Angeles / New York. Her work is in public collections including Museum of Contemporary Art San Diego, San Diego, CA; and Museo d'Arte Moderna di Bologna (MAMbo), Bologna, Italy. Adesman lives and works in Chicago, IL.

Neil Raitt's surreal landscapes test limits of reality and artificiality. His paintings depict impossible horizons and forego the idea of an original relationship to a real or even specific place. Terrains, climates, disparate geographies are all mixed together becoming a portal to an emotional or psychological space. Their impossibleness acts almost as a parody or critique of traditional sea and landscapes and argues for the possibility of fresh perspectives. Free from nostalgia and lamentation of fading natural beauty, Raitt's landscapes have a mythological quality conveyed both through the saturated intensity of his color and the particularity of his perspective.

Neil Raitt (b. 1986) received his MA from the Royal College of Art, London in 2013. Over the past ten years he has been included in solo and group exhibitions at Anat Ebgi, Los Angeles, CA; Galerie Judin, Berlin, Germany; Nicelle Beauchene, New York, NY; The Cabin, Los Angeles, CA; Chez Valentin, Paris; Choi & Lager, Cologne; The Hole, New York, NY; and Lin & Lin Gallery, Taipei, Taiwan. His work has been exhibited at institutions including the Centre d'art contemporain La Halle des bouchers, Vienne; Villa Du Parc centre d'art contemporain, Annemasse; the DePaul University Art Museum, Chicago; and the Goss-Michael Foundation, Dallas. He was the recipient of the Northern Trust Acquisition Prize, 2016 and the Catlin Art Prize, 2014. His work is in the permanent collections of Los Angeles County Museum of Art (LACMA), Los Angeles, CA; DePaul Art Museum, Chicago; Saatchi Collection, London; and Frank-Suss Collection, London. Raitt lives and works in London.

Mining memories from daily walks in nature, Soumya Netrabile's works emerge from the phantasm of a breeze, the record of a cosmic wrinkle. Within flaming forests of green, amber, and peach, real space dissolves into mists of tenderness enfolded in mountains of longing. Occasional animals or figures appear from scrawled yet intentional flickering brushwork: haloed, dwarfed by their swirling surroundings.

Netrabile is a painter who thinks like a poet, using paint to suggest something larger, something deeper, sharper, enchanted, bewitching. Formal choices, light, color, and gesture, emerge from internalized locations beyond logic and justification. It's her familiarity with her subject which allows her to unlock profound memories of being enveloped in nature's canopy onto canvas and the simultaneity of all these elements compressed onto one surface.

Returning to the studio with these embodied memories, Netrabile emphasizes direct experience and intimacy rather than portals and vistas; show, don't tell. Poetic and metaphysical connections are the result of steady drips of daydreams, painterly transmissions through a method of sustained focused noticing, one that is transformational, precise, and open.

Soumya Netrabile (b. 1966, Bangalore, India) received a BFA from the School of the Art Institute of Chicago and a B.S. in Electrical Engineering from Rutgers University. Recent solo exhibitions have taken place at Anat Ebgi, Los Angeles, CA; Gana Art, Seoul, Korea; Pt.2 Gallery, Oakland, CA; Andrew Rafacz, Chicago, IL; and The Journal, New York, NY. Netrabile has exhibited in group exhibitions at galleries including Anat Ebgi, Los Angeles, CA; Rachel Uffner, New York, NY; Trinta Gallery, Santiago de Compostela, Spain; Indigo + Madder, London, UK; and Karma, New York, NY. Netrabile's work has been acquired by public collections including Orange County Museum of Art, Costa Mesa, CA; Crocker Art Museum, Sacramento, CA; and University Club of Chicago, Chicago, IL. Her forthcoming solo exhibition will take place at Anat Ebgi in New York in September 2026. Netrabile lives and works in Chicago, IL.

Sarah Ann Weber employs painting and drawing to create overgrown landscapes that are both verdant and putrefied, while confounding traditional expectations of the landscape genre. Rather than replicating the surface details of our natural surroundings, Weber's marvelous evocations of nature concern themselves with the spiritual essence of the world, decentralizing the figure. By choreographing vegetation through her imaginative stylizations, the artist proposes that psychological and emotional worlds are as complex and as ripe for exploration as the one beyond our bodies.

Sarah Ann Weber (b. 1988, Chicago, IL) received her MFA from the Pennsylvania Academy of the Fine Arts and her BFA from the School of the Art Institute, Chicago. Weber has exhibited her work in solo exhibitions at Anat Ebgi, Los Angeles; 12.26, Dallas, TX; Club Pro, Los Angeles; The Franklin, Chicago; and a two-person exhibition with Allison Hall at SOCO Gallery, Charlotte, NC. Selected group exhibitions include Stems Gallery, Paris, France; MAUVE Gallery, Vienna, Austria; Greenpoint Terminal Gallery, Brooklyn; Hunter Shaw Fine Art, Los Angeles; Galerie Nord/Kunstverein Tiergarten, Berlin; Locust Projects, Miami; and Andrew Rafacz Gallery, Chicago.

Weber's work has been acquired by public and private collections including the Cummer Museum of Art & Gardens, Jacksonville, FL; Figge Art Museum, Davenport, IA; United States Department of State, US Embassy in Guatemala City; Xiao Museum of Contemporary Art, Suzhou, China; among others. Her work is currently included in a museum exhibition, Art in Bloom at the Cummer Museum of Art & Gardens, Jacksonville, FL. Weber lives and works in Chicago, IL.

Sabrina Bockler (b. 1987, USA) is a New York-based artist who received her BFA from Parsons School of Design in 2011. Bockler reimagines the domestic sphere through lush, surreal paintings that recall 17th-century Dutch still lifes. Her work draws from artists like Balthasar van der Ast and Rachel Ruysch, but adds a surreal, Lynchian twist that transforms familiar imagery into something both alluring and uncanny. With meticulous detail and painterly flair, Bockler explores the tension between abundance, beauty, and unease, creating decadent tableaux that both seduce and disturb.

Solo exhibitions include Shallow Water, Richard Heller Gallery, Los Angeles, CA (2024); Coquette, Hashimoto Contemporary, NYC (2024); Gilded, Duran Mashaal Gallery, Montreal, QC (November 2023); Menagerie, Beers London, London, UK (2023).

Rachel Gregor (b. 1990) composes layered, narrative figurative work that blends observation, fantasy, art history, and folklore. Working primarily in gouache and oil paint, Gregor's mark making has a fleeting sense of urgency combined with control and restraint. This gives her subjects a sense of being in an ephemeral state while also maintaining physicality and naturalism. Gregor's earth tone palettes clash with alien green and neon oranges, while acidic ink washes and bright undertones illuminate the over-painting. The constant shift of brightness within her work suggests an uncanny light-from-within. Shadows misalign with multiple light sources, alluding to an ever changing sense of time and space that becomes otherworldly.

Her subjects are often isolated within matte-black paint, landscapes that are blocked off with obstructing branches, and windows that open to inescapable voids. Gregor constructs her environments as if they were a black box production. Confrontational figures occupy a stage-like framing, allowing themselves to be carefully observed as they hint at what is behind the scenes with cryptic gestures and forlorn, thousand yard stares.

Rachel Gregor lives and works in Kansas City, MO. She graduated from the Kansas City Art Institute in 2012 and has studied abroad at Studio Art Centers International in Florence, Italy. She was born and raised in Medina, MN. Botanical motifs are a common theme throughout Gregor's visual lexicon, a nod to her upbringing of her family owning their own horticulture nursery and agricultural farm.

Gregor's inaugural solo exhibition with Hashimoto Contemporary was in 2023. Her work has been exhibited nationally and internationally with solo shows in New York, Los Angeles, and Zurich, Switzerland, and group exhibition participation nationwide. Her work has been featured in print publications such as New American Paintings (issue #161) and Create Magazine (issue #10, issue #25), and she has been interviewed by Juxtapoz (Winter 2025) as well as online at BOOOOOOOM (2018) and the Jealous Curator (2021).

Drew Bennett (b. 1981, Chicago, IL) is an Oakland-based artist. He graduated from Colorado College in 2004 (BA, Fine Arts). Bennett moved to San Francisco in 2005 where he exhibited painting, installation and social practice work as well as developed his own business as a designer and builder. In 2012, Bennett founded FB AIR, Facebook's artist in residency program. Between 2012 and 2018, Bennett grew the program from a headquarters-based residency experience to an international site-specific installation program commissioning hundreds of new works annually. In 2015, Bennett co-founded Starline Social Club (Oakland) with Adam Hatch and Sam White. Now resigned from his roles at Facebook and Starline, he is dedicated to his art and family. He has had two solo exhibitions at Ever Gold [Projects], 2019 & 2020. His work is in the collection of multiple private collections and BAMPFA.